{"id":20629,"date":"2025-02-18T09:04:47","date_gmt":"2025-02-18T09:04:47","guid":{"rendered":"https:\/\/marumgmt.com\/?post_type=topic&#038;p=20629"},"modified":"2025-02-18T09:04:47","modified_gmt":"2025-02-18T09:04:47","slug":"ffxvi-ost-streaming","status":"publish","type":"topic","link":"https:\/\/marumgmt.com\/ja\/topic\/ffxvi-ost-streaming\/","title":{"rendered":"Relive Final Fantasy XVI\u2019s Most Eikon\u2019ic Fights With the OST Now Available on Streaming Services"},"content":{"rendered":"<p><strong>Tokyo &#8211; Japan<\/strong> Following the launch of Final Fantasy XVI on PlayStation 5 in late June 2023,<br \/>\nthe response to the game\u2019s larger-than-life fight sequences and accompanying soundtrack was<br \/>\nimmediate. Composed by Masayoshi Soken, perhaps best known for his work as sound director<br \/>\nand lead composer for Final Fantasy XIV, the release of the sixteenth entry into the<br \/>\nlong-running franchise would prove his first time handling a standalone game in the Final<br \/>\nFantasy universe.<\/p>\n<p>Now on the coattails of the release of Final Fantasy XVI on PC, fans finally get to experience<br \/>\nthe soundtrack to Clive Rosfield\u2019s journey through the twin continents of Valisthea in an all-new<br \/>\nlight. Consisting of 199 songs from the base game alone and an additional 18 songs from the<br \/>\nDLC, experience Masayoshi Soken\u2019s creation wherever your adventures may find you.<\/p>\n<p>Before diving further into this, it should be mentioned that for players still waiting to jump into the<br \/>\nPC release of the game, there will be spoilers including character names and key events<br \/>\nincluded in this write-up. Please take caution before proceeding if you\u2019ve yet to play the game.<\/p>\n<p>Opening the soundtrack listeners are greeted with the sweeping \u201cLand of Eikons\u201d, which serves<br \/>\nas the title theme song to the game. Fusing the long-running series\u2019 iconic progression along<br \/>\nwith a voluminous instrumental backing, listeners will find themselves thrust into the warring<br \/>\nworld of Valisthea. The Soken-led take on the original theme song aims to deliver an immediate<br \/>\ninsight into what players can expect as they progress through the game.<\/p>\n<p>In the story of Final Fantasy XVI, Eikons are seen as entities to worship \u2013 almost god-like<br \/>\nbeings that are hosted by individuals known as Dominants. Positioned as key players in the<br \/>\nongoing war across the realm, the dominants play a massive role throughout the story of the<br \/>\ngame, with protagonist Clive Rosfield himself being a Dominant.<\/p>\n<p>Given this, it\u2019s only fitting that the theme songs to these Eikons would prove some of the most<br \/>\ncentral pieces of work within the soundtrack. When stepping into the same arena as an Eikon,<br \/>\nMasayoshi Soken intends to leave little room to breathe, often working to cast listeners into a<br \/>\ndizzying trance with the numerous places he aims to go in a single track. This is best<br \/>\nrepresented on the Eikon Phoenix\u2019s theme \u201cAway\u201d, a score played out in the earlier stages of<br \/>\nthe game, but one that seeks to set the tone for the latter parts of your adventure.<\/p>\n<p>Opening with a chilling orchestral performance and gliding through a series of dramatics, the<br \/>\nEikon theme for Shiva \u201cWinter\u2019s Bound\u201d offers a fleeting moment for somber reflection, proving a<br \/>\nrare moment throughout the game\u2019s soundtrack where listeners are given a brief moment of<br \/>\nrepose before the song breaks through its climax and heads towards conclusion.<\/p>\n<p>A gust of fresh air with a hint of familiarity for Masayoshi Soken\u2019s work on Final Fantasy XIV,<br \/>\nGaruda\u2019s Eikon theme \u201cControl\u201d spaces itself with dissonant chants and commanding<br \/>\ninstrumental performances intending to leave listeners on the edge of their seats.<\/p>\n<p>Though one of the shorter themes, \u201cFall From Grace\u201d, which acts as the Eikon theme for<br \/>\nRamuh, delivers one of the most important beats for the story of Final Fantasy XVI and is<br \/>\nundoubtedly a track etched into the memories of many players of the game. Its sinister<br \/>\nundertones quickly uplifted into a grand resolution making this one of the more menacing tracks<br \/>\nin this collection.<\/p>\n<p>The boisterous Eikon theme for Ifrit, \u201cFind the Flame\u201d feels like a tumultuous barrage on players<br \/>\nas they enter battle against everything they believed they knew, with the sweeping orchestral<br \/>\nperformance found throughout aiming to serve as the ideal accompaniment to Ifrit as an Eikon.<\/p>\n<p>One of the more electronically-indebted tracks on the soundtrack, \u201cTitan Lost\u201d, the theme song<br \/>\nfor the Eikon Titan, acts as an in-your-face blast of energy, encapsulating the sheer size of Titan<br \/>\nthrough the four-to-the-floor production of the song. Aiming to bring this all together, it\u2019s also one<br \/>\nof the few Eikon themes throughout the soundtrack that truly brings vocals to the forefront.<\/p>\n<p>Given the legendary status of Bahamut as a long-running addition to the Final Fantasy<br \/>\nfranchise, it\u2019s only natural that its Eikon theme \u201cAscension\u201d would prove one of the more grand<br \/>\ninclusions on the soundtrack. Giving off an air of holiness to its composition, the choir-like<br \/>\nchants throughout the song glide listeners throughout leading into the song&#8217;s epic conclusion.<\/p>\n<p>Looking at our final Eikon theme in the Final Fantasy XVI soundtrack, \u201cThe Riddle\u201d, which<br \/>\naccompanies the Eikon Odin, aims to be an adventure of its own, filled with sweeping turns and<br \/>\ndramatic vocal accompaniment marking it as a fitting close-out to the Eikon themes contained<br \/>\nwithin this soundtrack.<\/p>\n<p>Lastly, while not an Eikon theme itself, the soundtrack comes to a close with the fan-favorite<br \/>\nemotional vocal number \u201cMy Star\u201d featuring the vocals of Amanda Achen. A fitting climax to this<br \/>\nrollercoaster journey, the song aims to offer listeners a moment for reflection as they look<br \/>\nforward to a new tomorrow.<\/p>\n<p>Whether you played through Final Fantasy XVI at launch on PlayStation 5, are about to jump<br \/>\ninto it on PC, or are even just looking to dig into the soundtrack, the composition put together by<br \/>\nMasayoshi Soken is a journey in and of itself that is finally ready to be shared.<\/p>\n<p>Final Fantasy XVI releases on PC via Steam and Epic Games Store on September 18, enabling<br \/>\na new platform for players to traverse the emotional story of Clive Rosfield. Simultaneously, the<br \/>\nofficial soundtrack for Final Fantasy XVI will be available on all major streaming platforms,<br \/>\noffering players numerous entry points into the world of Valisthea. You can stream the Final<br \/>\nFantasy XVI soundtrack here.<\/p>\n","protected":false},"featured_media":20628,"template":"","class_list":["post-20629","topic","type-topic","status-publish","has-post-thumbnail","hentry","topic_cat-sem","ja"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/marumgmt.com\/wp-json\/wp\/v2\/topic\/20629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marumgmt.com\/wp-json\/wp\/v2\/topic"}],"about":[{"href":"https:\/\/marumgmt.com\/wp-json\/wp\/v2\/types\/topic"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/marumgmt.com\/wp-json\/wp\/v2\/media\/20628"}],"wp:attachment":[{"href":"https:\/\/marumgmt.com\/wp-json\/wp\/v2\/media?parent=20629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}